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Posted: Tue Sep 03, 2024 7:58 am
If I change the rhythm, I change the speed because the size of the matrix changes. I can also do the opposite and move from the standard matrix to a macrocosm where this matrix of society becomes a small grain of sand. When I move to a different matrix, the speed of time is different. I feel the state of the “cosmos” when I leave the common rhythm of human society and enter another rhythm. I don’t know whether I am entering a macro or a micro world at any given time. The shifts happen and the perception changes. Sometimes I feel one thing and sometimes another.
Next we will talk about changing the taste of drinks. When this happens, it is possible that I have influenced the taste by going through the above time travel. There are different versions of the same drink. And at that moment one version replaces another. It happened many times when I was writing. I had a glass of whisky and coke next to me when I was writing my book in a “cosmic” state. The drink “fizzled” and the whisky evaporated. The drink became tasteless and flat as if I left it on the table for a few days. It is possible that this happened because I spaced out for what felt like a few days while I was in the creative process. May- be I do something with time – fast forward or rewind it. I am not sure yet. This is the hypothesis I am working on. I realised that the same thing is happen- ing with the cells in my body. I have a projection of myself like everyone else, and we have physical bodies that we feel. It has shape and tactility. We can hit ourselves on the table and it is a physical level for us because we exist in these cells and vibrations. We can’t see or feel outside of those vibrations. I realised that when I write in “cosmos” something happens to the cells of my physical body, my human projection. Maybe sometimes I stop aging when time stops, and sometimes time moves very fast. Maybe I influence the processes and affect the environment without changing my own physique. Because I look my age and it is not as if I look 70 when I am 30 years old. These are just my thoughts.
What else? So I discussed it with my friend, and I had two speakers playing mu- sic while we talked. One was on the table and the other was in the corner of the room. The music was playing on both speakers at the same time. My friend and I were talking very intensely and enthusiastically about time and the trans- formations that happen to objects around me when I am in creative processes.
Next we will talk about changing the taste of drinks. When this happens, it is possible that I have influenced the taste by going through the above time travel. There are different versions of the same drink. And at that moment one version replaces another. It happened many times when I was writing. I had a glass of whisky and coke next to me when I was writing my book in a “cosmic” state. The drink “fizzled” and the whisky evaporated. The drink became tasteless and flat as if I left it on the table for a few days. It is possible that this happened because I spaced out for what felt like a few days while I was in the creative process. May- be I do something with time – fast forward or rewind it. I am not sure yet. This is the hypothesis I am working on. I realised that the same thing is happen- ing with the cells in my body. I have a projection of myself like everyone else, and we have physical bodies that we feel. It has shape and tactility. We can hit ourselves on the table and it is a physical level for us because we exist in these cells and vibrations. We can’t see or feel outside of those vibrations. I realised that when I write in “cosmos” something happens to the cells of my physical body, my human projection. Maybe sometimes I stop aging when time stops, and sometimes time moves very fast. Maybe I influence the processes and affect the environment without changing my own physique. Because I look my age and it is not as if I look 70 when I am 30 years old. These are just my thoughts.
What else? So I discussed it with my friend, and I had two speakers playing mu- sic while we talked. One was on the table and the other was in the corner of the room. The music was playing on both speakers at the same time. My friend and I were talking very intensely and enthusiastically about time and the trans- formations that happen to objects around me when I am in creative processes.