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[Alexandr Korol]

you immerse yourself in, and then when you go to talk to people about it, you see that they’re not interested in anything. They’ve got their little worries and little problems, and you’ve got it all open, like it’s on a scale. It’s like you’re not stuck on one thing, in one world, number 5. It’s like you see all the worlds and some other rules of the game by which you play, i.e. live. You see, every person can be both positive, as an optimist, and as a pessimist, to the fact that he is an entity and that he is in a “corridor”. Only in the “corridor” is the music voluminous. In films, you can perceive everything, because if you’re only in one world, you only perceive one world, and you don’t like everything else, you reject it, or you can’t see it. And it turns out that when you are in the “corridor” you can see all the films, as if the whole media library of films, music, people, countries, cities and neighbourhoods is open to you. It’s great.
It’s like the whole palette of colors. Otherwise you live in a red colour and you only paint in red. But that’s ridiculous. You want to use different colours. It’s logical, isn’t it? So this is the “corridor”. Another “corridor” is just such a self-sufficiency that you are really like the main character of the film, where you mentally reflect and philosophise with yourself. You look at the world like a child who is at home with himself, dreaming about something. And that is the “corridor” and that is the essence. The feeling is different; you always feel yourself and the whole world at the same time. It’s like you feel the whole world. When the Essence enters the framework of one of the worlds in which people live, it is as if there is a countdown, as if there is time. There the rhythm is concrete and you perceive everything within the boundaries of the world you have entered and you exist according to the rules of that world. But here, in the “corridor”, you are not bound to anything. You are free to look at everything from the outside, and time flows differently.

Question: Do you think that when events are overwritten, only a part of the multiverse directly related to the changed event is changed, or is a time segment of the whole multiverse overwritten, affecting absolutely all people and events in it?

I understand it more in the sense that this can be something particular, but it’s somehow connected. It’s like a thread. But imagine it’s like a bunch of these threads and they go from the past to the future. And if you overwrite something,