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Posted: Mon Sep 23, 2024 1:27 pm
just connected to this Wi-Fi source as the first user. Further users will follow, creating a hierarchy, like beads strung on a thread. This is how I perceive it. No one has told me this; it is my perception, and it may be slightly incorrect, but I describe the truth I feel by choosing human words.
Question: In the book you recommended about Kalki, there are several chapters at the beginning where the parrot Shuka talks to Princess Padmavati. The princess discusses why she cannot find a husband and how she prays to Shiva, while the parrot talks about Kalki. I assume that the princess might represent the new Mother of the Matrix, and Shuka is likely the Spirit. However, I didn’t understand the essence of their conversation. I listened to these chapters but didn’t find anything significant for myself. Could you explain how you understood these chapters and what you took from them?
Here’s the essence: imagine you could watch the same film for 10 years, or read numerous intelligent books, and not notice anything in them because they simply didn’t resonate with you. But when you dive into and study my book “Alternative History”, you begin to see a lot of things that were always there but that you didn’t notice before. What I mentioned to listen to relates to this idea. The Spirit here is like an inner voice. For people of the old system, this inner voice is their mind and egoism. For people of the future, their inner voice is the Spirit, or the new matrix, whispering to them. So, there is a woman or girl who can hear the Spirit like Kalki does. If she prays to Shiva, the main God, she must be someone of high spiritual standing. She desires a husband, and the Spirit tells her about Kalki. The focus of the text is more on why and how her destiny unfolds such that no man is suitable for her, as any man who looks at her with lust is transformed into a woman. This is a sacred language. The emphasis is on the fact that no man is appropriate for her, hence the presence of only women around her. Kalki, on the other hand, must have a wife who can travel through the three worlds with him. This is crucial because, as mentioned in my older books, there are limited material beings and entities. Kalki is primarily an entity capable of traveling through multiverses, particularly the three worlds. He cannot be with a woman confined to just one world, as most people are limited to one realm. Only sacred entities, such as angels or deities, can exist across the three worlds. Therefore, Kalki needs a wife who can also move through these three worlds without being an impediment or requiring him to return to just
Question: In the book you recommended about Kalki, there are several chapters at the beginning where the parrot Shuka talks to Princess Padmavati. The princess discusses why she cannot find a husband and how she prays to Shiva, while the parrot talks about Kalki. I assume that the princess might represent the new Mother of the Matrix, and Shuka is likely the Spirit. However, I didn’t understand the essence of their conversation. I listened to these chapters but didn’t find anything significant for myself. Could you explain how you understood these chapters and what you took from them?
Here’s the essence: imagine you could watch the same film for 10 years, or read numerous intelligent books, and not notice anything in them because they simply didn’t resonate with you. But when you dive into and study my book “Alternative History”, you begin to see a lot of things that were always there but that you didn’t notice before. What I mentioned to listen to relates to this idea. The Spirit here is like an inner voice. For people of the old system, this inner voice is their mind and egoism. For people of the future, their inner voice is the Spirit, or the new matrix, whispering to them. So, there is a woman or girl who can hear the Spirit like Kalki does. If she prays to Shiva, the main God, she must be someone of high spiritual standing. She desires a husband, and the Spirit tells her about Kalki. The focus of the text is more on why and how her destiny unfolds such that no man is suitable for her, as any man who looks at her with lust is transformed into a woman. This is a sacred language. The emphasis is on the fact that no man is appropriate for her, hence the presence of only women around her. Kalki, on the other hand, must have a wife who can travel through the three worlds with him. This is crucial because, as mentioned in my older books, there are limited material beings and entities. Kalki is primarily an entity capable of traveling through multiverses, particularly the three worlds. He cannot be with a woman confined to just one world, as most people are limited to one realm. Only sacred entities, such as angels or deities, can exist across the three worlds. Therefore, Kalki needs a wife who can also move through these three worlds without being an impediment or requiring him to return to just