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[Alexandr Korol]

the person would lose their sense of time and space – they wouldn’t understand how much time had passed, they wouldn’t understand what was happening to them. It felt as if only my face and their face existed, as if we were just talking, and there was no actual place around us. They wouldn’t even see or hear the people around them, wouldn’t even register that they were in a restaurant – because in reality, they had entered my world. And when I was in this world – you could call it the “eighth corner,” you could call it the “fourth dimension” – whenever I was in this world and met someone, they would enter it too. And when I was on this frequency of vibrations, I could only see the people who were in this world. I also called this world “the corridor.” I was always happy if I suddenly encountered someone in this world. But most of the time, I was alone in it – people would always enter this world temporarily and then leave. And I was learning, trying in every possible way to enter the world of people, and I realized that if I did everything like people do, it was as if I started becoming visible to them. And if I found some kind of guide into the socio-material world, then through them, I could enter the world of people. And it’s so unusual – how all of this is physical, seemingly right next to each other. And when I wrote books, people couldn’t read my first books – by people, I mean those from the world of the living, those in the socio- material world. Their attention simply wouldn’t focus on me or my books. Only someone who was in the “corridor,” someone in the state of “mindlessness,” as I called it back then, could see me, see my book, and read it. And they would be amazed that everything I wrote seemed as if it was about them.
Then I started experimenting with ways to write books in the world of the living. That is, I deliberately wrote a book in a format – as if it were a specific “file” format, on specific vibrations – so that it would be accessible to people, so that people from the world of the living could read my book and, through it, become interested in my other books and transition into my world. I remember hearing a story in an interview about the musician Yoav. He was making music that wasn’t accepted or recognized by society – that is, by the material world, the world of people. And in order to get them at least somewhat interested in his music, he created a track called “Club Thing”, with a stylish music video. He did this so that the track and video would appear in the world of people, so that afterward, they would start exploring the rest of his music.