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[Alexandr Korol]

Next, the Mystic-Old-Man and I had conversations about more literal, everyday questions – such as which country I will end up in. But perhaps the most interesting part of the whole conversation was what I had been talking about from the very beginning – the vector, the idea of what time it is now. I decided to orient myself using the clock hands, thinking that perhaps there is a specific time right now and that, based on this, I could calculate time further. You see, I have now created a time reference point for myself and, consequently, for you as well. If we take what the Mystic-Old-Man said – that it is now 12:10 – then what about one o’clock? We are moving toward that time, and if the world was created at one o’clock, it means we are heading toward that moment. And the Mystic-Old-Man mentioned approximately in which year the clock’s hand will reach one. That’s the paradox. He named a year. Now, from 2024, we can orient ourselves – if 2024 is 12:10, then 2053 or whatever year he mentioned will be one o’clock, the hand reaching the hour mark. So now, we can orient ourselves and calculate how this hand moves minute by minute. We can now understand these minutes. That was probably the most interesting and useful information. At the moment, I still need to study in more detail what the sunflower point is, what axial symmetry is, and also examine the spring equinox, winter solstice, and autumn equinox – the position of the Earth and the Sun. That is what I am working on right now.

My mother asked me today what I was working on. I told her that I am currently working on the fifth volume and that I am trying to explain the worlds, the seasons, and morning-day-evening-night, spring-summer-autumn-winter in even more detail. She then asked me, “And what is this underworld?” I explained to her that people on planet Earth can be divided into groups based on their mood types: there are people with the mood of the sky, people with the mood of the earth, and people with the mood of the underworld. I explained that the sky represents creative people, figuratively speaking. People of the earth live by intellect and logic; they have no heart, everything is precise, like robots. There are also people who live in the world of the underworld, and within that world, there are different levels. Some dwell completely in darkness, in hell, at the very bottom. Higher up are those with animal instincts – they have neither heart nor mind, they cannot control anything, they act purely on instinct, which