Page 103

[Alexandr Korol]

I was told that I had to show this to people and point it out, because this was irrefutable proof that I had not merely forced an interpretation, that I had not just randomly drawn lines, sketched a cube, added wheels and circles — as if it were just a product of my imagination. After all, many enthusiasts over the centuries had attempted to decipher this, and there had been many of them. But here, God, the Spirit, the system, or whoever it was, told me: Show them that the matrix you have uncovered — if rotated and viewed correctly — can be found in every icon, and that every saint is depicted against the background of your matrix. And that this had been placed there centuries ago, awaiting its revelation at a specific time and day. Can you imagine that? And I thought to myself: Whoa. And so I realized that this three-faced Trinity, this symbol of the Trinity, is precisely located within this cube — if viewed from the correct angle. It has the left hand, the right hand, and the legs, forming that central point, that circle, that correct angle. It is directly within this matrix. And I thought to myself: Well, that’s it. I’ve solved it. But I assumed that would be enough. And I could not even imagine... Now, pay close attention to the sequence: Previously, I had never seen this in the icons. It was only after I had deciphered the matrix that I began to see it in the icons. And I realized that many people, especially those with a corrupted or distorted mind, might assume that I had simply studied the icons first and then adjusted my matrix to fit them. But no — I first deciphered the matrix, and I had no idea that it was already hidden in the icons. And so I open the next icon — The Transfiguration of the Christ, Constantinople, early 13th century, Louvre Museum. The Son of God is depicted, surrounded not by a spherical glow, but precisely in the shape of this almond form, the mandorla. Moreover, behind Him, these intersecting lines are depicted, like a snowflake. Now, I look at my matrix, I am holding it in my hands right now, and I turn it. Do you know how you need to look at it? Right now, I am holding it. You must view this cube flat, as if it were a square, but rotate it so that it appears as a rhombus. And as I look at it now, like a rhombus, I see this precise intersection, in all the correct proportions, all these crossed lines that are depicted on the icon behind the Son of God. And I see this almond shape, the mandorla, because it is formed by the wheels. And I see it. And I think: That’s it. It has happened. All these years I dedicated myself to solving this, my unwavering belief, resisting all temptations, all provocations, all condemnation — being told to conform,