Page 1 of 1

Page 600

Posted: Sat Jun 14, 2025 8:34 am
by Alexandr Korol
I think it was Big Alexander who said something like that to me. But in the end, I decided to tell everything anyway, and then I actually asked the system about it, and it said: “Tell everything, it all goes into the book. What shouldn’t be shared — trust us, we won’t give it to you.” I said, “Okay.” And so it turns out I don’t need to stress or control what I should or shouldn’t say. It’s just that at the time, I started thinking about it, and that topic ended there. So everything’s fine. And if you meant that I wouldn’t just list those three points but also break them down and explain them to you in detail — well, I have a very unusual approach to this information. If the system that writes the book through me wants me to develop a topic deeply, it will keep giving it to me endlessly, and I will keep unraveling it endlessly. And if there’s a topic that isn’t unimportant, but simply one I’m meant to mention once and then move on — without getting stuck on it or dwelling too long — then that’s exactly what I do. And there are moments when I might say something about, say, the mausoleum, sarcophagi, and so on — and that’s it. And after that, you see, I already have twenty more new materials and pieces of information coming in. And let’s say, someone — a friend or a reader — wants to stick with that topic, but I sort of move away from it, step aside from it, avoid it, because it would distract me, since more information is coming. If I needed to dig into it, I would’ve. So let’s say, the dosage of information — what needs to be spoken of more, what less — is also controlled by the system. That’s why anything in the book that’s developed too often, endlessly, even cyclically — means that topic must be revisited often and unpacked. But if something gets a single mention, and then I never return to it again — then that’s how it should be, or it’s simply not time yet. That’s my approach. And here’s an example: the topic of Karelia, the topic of lineage, the topic of Egyptian gods — if it’s not needed, I won’t touch it. Well, then the system hasn’t led me to it yet. I don’t do anything by my own mind — the system leads me, it highlights things. It highlights, figuratively speaking, a red color. And I started, in one of the volumes I’m working on now, to analyze this red color: what it is, why it matters, what it symbolizes, who uses it, how it’s appeared in religions and mythology. The things I trust the most, the things I analyze and reference, are always sacred writings or mythology. Everything else — anything that’s not from God, but from people — it’s a different matter. Human opinions, especially those of the 21st century, I don’t trust at all.