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[Alexandr Korol]

Question: You briefly mention that you sometimes lose track of time and can’t understand – quote: “Where is the time now, and where will it be? This loss of understanding, not knowing whether it was or is, or has already happened, or if I planned it to be like this.” You say that this happens because of the matrix you’re unraveling, that it’s because of the Spirit. Please explain in more detail how the matrix, the Spirit, and the perception of time are interconnected.

Good question. Let’s start from the very beginning. In 2010, I wouldn’t say that it was exactly in this year that I noticed it, but I just use this year as an example because that’s when I clearly noticed it or remembered it. Maybe it had been earlier. But in 2010 and especially in the first half of 2011, I made notes in my drafts... And these drafts were like, well, just my notes, thanks to which this entire “Alternative History” came into being. So, I was practicing before the novel “Alternative History,” I was practicing on other books. There is a book called “Three Paradoxes of a Creative Person.” Why is it called that? Because it consists of three parts of the book “Paradox.” I had a book “Paradox,” then the second part, then the third, and I put them all together. Of course, not everything made it into this book, some things didn’t pass, let’s say, the censorship, but these are my personal handwritten notes, recordings more than 10 years old. More than 10 years. As I stated in the book “Paradox,” I wrote it only when I was out of my mind, when I was alone with myself in this “corridor.” So, it’s like I would go into the world of people, into society, and then when I was either thrown out of there or I left it myself, I would write this book, or rather, these are my notes. In these notes, in fact, there are a lot of keys, clues to better analyze and decipher my multi-volume novel “Alternative History.” What is in these notes, in my early draft books? There I described what was happening to me. But more like not exactly adventures with places of power and messengers, but more like feelings and sensations I recorded in my diary. I described back then that I didn’t know what was happening to me, why I was like this. This was in 2011, if I’m not mistaken. I described back then that I couldn’t understand how much time had passed when I was at home, whether it was five minutes, an hour, or an entire day – I couldn’t control it. That if I got into something, for example, if I sat down to play chess or draw or write the book, I would completely immerse myself in it, and I wouldn’t have any other thoughts at all.