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[Alexandr Korol]

Question: A question about the matrix. Could you please tell me at what stage one should also make the crosses not only on the outside of the cube, on all sides, but also inside?

Well, this is the stage when we’re talking about the straight legs, the hooves, and the hands. So when all these hooves are described, which shine like brass thread — that’s exactly these rays from the corner of the cube. The hooves are precisely those intersecting lines. And the hands — that’s when you look at the cube from above, and under those wings you need to draw those lines inside as hands. All these crossings are made at that stage. But also pay attention: the matrix I initially made in the second volume of “Alternative History” had eight cubes inside. But I didn’t make all the crossings for those eight cubes, otherwise it would’ve been impossible to see or understand anything, neither for me nor for others. But in reality, those inner cubes also need to have all their intersecting lines added, by the rules. And then we also get a cube in the center. And not just in the center, but from it, like a cross made of cubes: a cube in the center, then one above, below, to the left, to the right — in all directions. A curious story. Today I’ll actually finish working on the seventh volume. I just have this kind of premonition that in the eighth volume I have to further decode this matrix, but on a more global level. There’s something else I need to add and show here. The matrix is correct, but something’s missing from it. Maybe I need to add the icosahedron, the dodecahedron. Maybe I need to add the wheels... Again, it’s just not visible, but... Maybe I should add the wheels for all the smaller cubes inside, to show it to people. We’ll see, so today in the evening I’ll start working on it — I’ll make a model out of sticks, only a larger one. I’ll make all the intersecting lines, recheck everything again through all the texts, and build it all again from scratch. This is also an important point — I don’t make the mistakes that people usually make. Anyone else in my place, having this matrix and the second volume written, would simply look at the matrix now and try to repeat it without thinking, because people like that state — skimming over things, not diving deep, just staying on the surface. But I do the opposite: I’ll put this finished matrix away and from scratch I’ll open all the sacred texts, those scriptures where this chariot is mentioned, the tetramorph, the throne, the cherubim. And from scratch, as I see things today —