Page 876

[Alexandr Korol]

in this illusory way. But physically, if we want to count each one individually, there are not twelve, only six, because the cube has six sides. However, when we look at one of its corners, it becomes this — and then becomes that. The same applies to the creatures. What is the creature? In the end, what are the cherubim? On the one hand, we seem to depict it like this, at the corner — where the wings are upward and the wings cover the body. Again, that’s the cross-lines on the sides of the cube. On one hand, that’s true when we’re simply deciphering how everything must be drawn in sequence and constructed. But later, we can start to see other cherubim. We might suppose that maybe the cherubim is actually the star-shaped octahedron that forms inside us — two interlocked triangles, two tetrahedrons. But then there’s only one of them, and we need four. So, it means we can duplicate them somehow, or replicate them. So, it’s very interesting — there is no mistake. What matters is that the system is hinting to the reader, to the person, how this matrix is structured and how it works. How it can be, as it were, assembled like a singular something, and how it can also unfold in such a way. That what exists in it can, by just glancing, be unfolded again — that it can physically become such. That’s what it is. And it’s not a mistake — it’s actually a clue. About how one should think, the way those who are on the other side, above, the ones who govern everything, think.

Question: What to do if, during preparation for deciphering the matrix (sorting materials into folders), the head feels like it’s about to explode from the strain, and it’s all being done through sheer effort? There’s a strong determination to go through the entire path step by step, you don’t give up, but there are constant doubts — have enough materials been found for this category, is the image genuine or drawn by some unknown modern person? How to know when to stop collecting materials, and is it even necessary to stop? I keep seeing and finding more materials after rereading the second volume several times.

Alright, I’m referring to the fact that one can and should search for all ancient engravings, images, recipes of the philosopher’s stone. Or search for all engravings and images of unusual Christian icons, the oldest ones. Yes, you need to be careful and examine closely, to determine whether these are real icons or paintings or engravings, or a modern fake, because nowadays many