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Posted: Sat Jul 12, 2025 5:12 pm
be either feminine, as if, or there also seems to be a masculine world, this plus and minus, meaning the Sun and the Moon. And it’s splitting my head open because I’m trying to figure all this out, and you won’t find it in mythological stories anymore — you have to draw, sketch it out. So I’m drawing, sketching, spinning it all around in my head every day, just noting this down now as a reminder of where I’ve currently landed, so to speak.
And of course, as I understand it, in the eighth volume, the proper separation is taking place. The fifth volume was more focused on how the afterlife works — more precisely, the kingdom of the dead — how it’s divided into levels, how all of that happens. So it contained both technical information, like how a person dies, and it also covered resurrection, immortality, based on the multiverse, but at the same time it explained the mood itself. Because it’s one of the four moods of the Sun, as a mood — it’s the frequency of the nameless, the dreamy, all that music, those films, all otherworldly. We figured all that out, and the fifth volume even ended with the conclusion that the fourth element is ether and it is the Spirit of Death. And now the eighth volume, even though in the eighth volume I’m battling with this... Well, not so much that I’m fighting — this Spirit of Death is attacking me — but it still shouldn’t have been part of the fifth volume, it belongs in the eighth, because the eighth volume focuses not on the Spirit of Death, but more on awakening: how to become awakened, how to break free from this Mara, how to accept this world. Because let’s be honest, you have to accept the world — and not just the kind that’s comfortable for you, the illusion where everything is nice and butterflies are flying, but also the most frightening and repulsive world. You have to accept it and realize that it’s from God, that it’s a system, that it’s how it’s meant to be. I’m seriously sitting here racking my brain trying to figure out how to properly reprogram myself. It really has to be a realization, which, of course, I’ll later capture into the book.
What else? I read about the pine cone. And yes, it really does appear everywhere, in all civilizations. Everyone says it’s something spiritual, something phallic, and so on. But all of that is, let’s say, people’s speculation — there’s no real specificity — but why it’s considered sacred somehow, and why it’s present in many religious, let’s say, places, this pine cone that the Mystic-Old-Man hinted I should contemplate, imagine.
And of course, as I understand it, in the eighth volume, the proper separation is taking place. The fifth volume was more focused on how the afterlife works — more precisely, the kingdom of the dead — how it’s divided into levels, how all of that happens. So it contained both technical information, like how a person dies, and it also covered resurrection, immortality, based on the multiverse, but at the same time it explained the mood itself. Because it’s one of the four moods of the Sun, as a mood — it’s the frequency of the nameless, the dreamy, all that music, those films, all otherworldly. We figured all that out, and the fifth volume even ended with the conclusion that the fourth element is ether and it is the Spirit of Death. And now the eighth volume, even though in the eighth volume I’m battling with this... Well, not so much that I’m fighting — this Spirit of Death is attacking me — but it still shouldn’t have been part of the fifth volume, it belongs in the eighth, because the eighth volume focuses not on the Spirit of Death, but more on awakening: how to become awakened, how to break free from this Mara, how to accept this world. Because let’s be honest, you have to accept the world — and not just the kind that’s comfortable for you, the illusion where everything is nice and butterflies are flying, but also the most frightening and repulsive world. You have to accept it and realize that it’s from God, that it’s a system, that it’s how it’s meant to be. I’m seriously sitting here racking my brain trying to figure out how to properly reprogram myself. It really has to be a realization, which, of course, I’ll later capture into the book.
What else? I read about the pine cone. And yes, it really does appear everywhere, in all civilizations. Everyone says it’s something spiritual, something phallic, and so on. But all of that is, let’s say, people’s speculation — there’s no real specificity — but why it’s considered sacred somehow, and why it’s present in many religious, let’s say, places, this pine cone that the Mystic-Old-Man hinted I should contemplate, imagine.