Alexandr Korol

I’ll explain what I’ve been doing. It turns out I’m still trying to understand which versions are correct. On some icons, it seems they directly depict the micro- and macrocosm, almost hinting that there is a matrix, and within the matrix there is something like, figuratively speaking, a throne or the One who is seated — inside, but also outside. So, figuratively, there’s a large cube made up of smaller ones, but thanks to the small ones, a central medium cube is formed, which is the most important, and that medium one is also the great one. That kind of hint exists. Most often, they don’t depict these worlds as cubes, but as circles on icons or illustrations — as if they are spheres, a kind of world. And in a way, that’s logical. So I can make a large Merkabah out of Merkabahs. That is, if I now build a cube and make a bunch of cross- sections in it — as if my cube consists of 64 smaller cubes. First, it’s made of eight: one, two, three, four — the top level, and the bottom level — five, six, seven, eight. So it’s made of eight. And each of those cubes is also divided into eight — making sixty-four. If I divide it like that, and inside each cube there are those two interlocked tetrahedrons — that is, Merkabahs, those stars — then out of all those stars a large Merkabah is formed, and also a small one just like it. And it turns out we get both the small world and the large one — and they are identical. And maybe that’s exactly who the One seated is, only the small one is the Son, and the large one made up of the small ones is God. I had such a thought. And it seems kind of logical, and on many icons this is depicted. Again, I can’t just cherry-pick visually without one hundred percent proof. That’s why I don’t have a definitive revelation right now. This is the first line of reflection.
The second reflection is that I see the One who is seated, and from him — well, not from him, but around him — there are many rays. And it’s as if this is showing the unfolding of the matrix, that around him there’s initially some number of rays, thanks to the four creatures — that is, he’s sitting together with them, he’s like the fifth element. As if this is God or the Son of God. He always sits with the four creatures, and they all sit in such an unusual way, as if trying to show that all these creatures, just like him, are facing different directions. So it’s as if it’s a Merkabah — but as if it’s unfolded, copied and spread in all directions, like a spiky ball — that’s the feeling if you look at the seated figure. And then around him there’s more,