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[Alexandr Korol]

Mystic-Old-Man: I think fate will make him do it, that is more precise.
Alexandr: Fate will make him do what?
Mystic-Old-Man: Put on the talisman.
Alexandr: Aha. That is, here...
Mystic-Old-Man: He simply got up in the morning, he dreamed of the talisman, which he seemingly does have somewhere. And he will simply put it on, and that’s all, because it is...
Alexandr: So, can it be considered, that fate is the intervention of some external side, a third side in life?
Mystic-Old-Man: Under certain conditions. Somewhere there is fate, or in fate it is not there. Someone walks freely, and someone does not walk freely.
Alexandr: Can it be such, that, figuratively speaking, there is a talented musician, and some third side began to use him, so that he would make music for the world. And then he has fate, because something begins to lead him.
Mystic-Old-Man: Yes-yes. That very director came to Vanga and says: “I want to stage “Orpheus and Eurydice”. Here is Orpheus, who all the time plays the music of heaven...” but Vanga says: “No, Orpheus is deaf to the music of heaven, he only hears earthly music, genius earthly music, but he does not hear the music of heaven.” There you go.
Alexandr: And when I now write books, are they for all worlds or for some one world?
Mystic-Old-Man: No, for this one. You are directed here.
Alexandr: For the earthly one?
Mystic-Old-Man: Yes.
Alexandr: Not for heaven?
Mystic-Old-Man: No.
Alexandr: And can it be such, that I am from heaven, but I write for earth?
Mystic-Old-Man: That can be. That, as I said, is fate.
Alexandr: Fine, and here is another point. After I finish the ninth volume, which is dedicated to the world of heaven, and for some reason I must describe the beings who live in the world of heaven, and all these symbols, which bear luck and fate, that all this is from the world of heaven. Then I had further thought, that the next volume, the tenth, will be about the world of earth, or not?