Page 431
Posted: Wed Feb 11, 2026 2:01 pm
of that vase, I won’t be able to break the vase itself. Even if I try to smash the
image, the original won’t break because the reflection is already just a copy.
There is only one original, yet it is reflected in the mirror — it’s reflected in
ten mirrors. But if you break the original — the vase — it will break in all the
reflections, in all the “through-the-looking-glasses” where humanity lives.
At least, according to the logic of our physical thinking, that is how we must
reason. I was really racking my brain over this, so I called Big Alexander
and told him about it, asking him: “What if we imagine the world of heaven,
earth, the underworld, and a heap of other worlds under the sun and under
the moon? And if we imagine even further that all of this is laid out as time?
Consequently, what kind of time is there? There is future, past, and present.
Is it possible to influence all these reflections not through the Source, but
the other way around — that if I influence one of the reflections, I will affect
the original through it?” Then I take it even further and say to Big Alexander:
“If I influence something now, can I influence the past from here and
change it, which would then change me here in the present?” And he says:
“Yes. If you are talking about it, it means you are already doing it. If you
are talking about it, it means you are already capable of it. It means you
are already doing it.” That’s what he told me. So, this is what I’ve been
contemplating over these last couple of days, which I’ve recorded in my notes.
And music was being highlighted to me, though I still haven’t read the
lyrics or translated them — David Bowie has a song called “Space Oddity.”
The first time I heard this song in a way that truly stole my attention —
even though it’s often in movies — was two years ago during New Year and
Christmas in Las Vegas. I was at the Wynn hotel, and there, in their restaurant
on the first floor, they have this show in the courtyard with fountains.
That song was playing, and they were showing outer space. It became so
immersive, as if I were in some kind of vacuum, like in a movie; it was
such a shock, wondering what was even happening. And back then, that
song stayed in my memory so clearly that every time I hear or see it in a
movie, I get goosebumps, even though I don’t know what it’s about. And
imagine — it was highlighted to me five times. Then I simply decided to
check something: since my friends compare me to the movie Venom —
image, the original won’t break because the reflection is already just a copy.
There is only one original, yet it is reflected in the mirror — it’s reflected in
ten mirrors. But if you break the original — the vase — it will break in all the
reflections, in all the “through-the-looking-glasses” where humanity lives.
At least, according to the logic of our physical thinking, that is how we must
reason. I was really racking my brain over this, so I called Big Alexander
and told him about it, asking him: “What if we imagine the world of heaven,
earth, the underworld, and a heap of other worlds under the sun and under
the moon? And if we imagine even further that all of this is laid out as time?
Consequently, what kind of time is there? There is future, past, and present.
Is it possible to influence all these reflections not through the Source, but
the other way around — that if I influence one of the reflections, I will affect
the original through it?” Then I take it even further and say to Big Alexander:
“If I influence something now, can I influence the past from here and
change it, which would then change me here in the present?” And he says:
“Yes. If you are talking about it, it means you are already doing it. If you
are talking about it, it means you are already capable of it. It means you
are already doing it.” That’s what he told me. So, this is what I’ve been
contemplating over these last couple of days, which I’ve recorded in my notes.
And music was being highlighted to me, though I still haven’t read the
lyrics or translated them — David Bowie has a song called “Space Oddity.”
The first time I heard this song in a way that truly stole my attention —
even though it’s often in movies — was two years ago during New Year and
Christmas in Las Vegas. I was at the Wynn hotel, and there, in their restaurant
on the first floor, they have this show in the courtyard with fountains.
That song was playing, and they were showing outer space. It became so
immersive, as if I were in some kind of vacuum, like in a movie; it was
such a shock, wondering what was even happening. And back then, that
song stayed in my memory so clearly that every time I hear or see it in a
movie, I get goosebumps, even though I don’t know what it’s about. And
imagine — it was highlighted to me five times. Then I simply decided to
check something: since my friends compare me to the movie Venom —