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[Alexandr Korol]

fourth and fifth volumes. Because there, I explain that different people have different qualities, different states of being—just like the world itself, just like God. There is a material state of mind, a spiritual one, and then there is also the dark, opposite one — the serpent — which is both spiritual and material but dark. These states of being cycle through, year after year, appearing from time to time, and we can even catch onto these shifts in mood. But then the choice is yours — will you latch onto that mood, begin to act upon it, and immerse yourself in that world, or not? Many of you once lived in a bright world, but then you made the wrong choice and ended up in the underworld — without even realizing it. And that underworld exists, can you imagine? It is real, and it is just one of the many unseen systems, like Wi-Fi networks. So right now, there are people connected to the spiritual, some connected to the material, and others connected to the dark — through their actions, deeds, elements, people, and many other factors. When I was working on the third volume, I didn’t just encounter the realization that time speeds up and slows down — I also saw that this is precisely what differentiates each world. Each has its own rhythm — that is the key. Do you understand? The difference between any world lies in its speed. That’s why I always noticed that in one world, everything seemed dim and shadowed, while in another, everything felt bright. As I switched between different worlds, I began to observe how the fundamental characteristics changed — characteristics I had already described earlier in this volume. While working on the third volume, I found myself shifting into a different world every three days. I wasn’t doing this myself — it was the system at work. It was as if The Mother of God, or perhaps God through The Mother of God, was leading me through all the worlds, through all the frequencies, through all the multiverses of the old matrix — that is, The Mother of God. That is, I entered every world in which people live, fully experiencing and passing through each one before exiting. And I went through all of this while sitting at my desk at home for two to three months as I worked on the third volume. But I approached it correctly, just as the system had warned me: “If you enter one of these worlds, remain an observer and remember that your main task is not to drown in it, not to fall asleep — like in the movie “Inception.”” I deliberately watched “Inception” and then “The Cell” with Jennifer Lopez to reinforce this awareness — to remind myself that every day, I was diving into a new virtual reality, and that all the emotions I would feel,