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[Alexandr Korol]

and he congratulated me and said that I needed to fix it so that I could summon it in myself, turn it on, and that it was “something big.” And when I wanted to write about it in the second volume, he said, “No, leave it for next time. You’ll write about it in the next book. It’s not time yet. People are not ready.” And now, this time has come. In the fourth volume, I seem to understand the three worlds, but the main focus of the fourth volume is on understanding the underworld: how it is structured, and it turns out that everyone lives there, but they just don’t know it. And I see that the underworld is so interestingly arranged, that not only are there bad people — those who are victims or those who are sinful with these temptations — but there are also people who work for God. So, there’s a lot more interesting and even good things in this world, which is quite fascinating. I begin to understand that in the underworld, there are not only sinful people, and you must remember this once and for all: it’s not just bad people in the underworld. There are also servants of God in the underworld, who simply have to fight against this darkness, as I’ve written. These are politicians, police officers, various structures. And they are not sinful; they are the ones fighting against the sinful. This is very important. The world of the underworld is very vast and multifaceted: it contains the labyrinth of this darkness, the serpent of temptation, and the Spirit of Justice, and in addition, there is also very interesting spiritual creativity, both dark, which is bad in the world of the serpent, and good. Can you imagine? Yes. It turns out that there are angels, Spirits, which are small systems through which, so to speak, the Spirit of Justice governs in the underworld, and these are his servants. And these are not only people who fight for justice in all structures and organizations, but also in creativity, people who make films about it, write music. And I begin to give examples, such as Danny Elfman, the composer, and Tim Burton, who showed the world unusual cartoons and films. And then I begin to understand: aren’t all the movies we watch, action films, from the world of the underworld? From the world of the underworld. And with people, the boundaries are so blurred that everyone’s association is this: if it’s the world of the underworld, it immediately means a movie about exorcism, where a person is some kind of demon, and they are cleansed with crosses and holy water, and that’s the only underworld. No, it’s not like that. The underworld is the movie “Brother” and “Brother 2,” Russian films. The underworld is “Law Abiding Citizen,” a movie like that, also