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[Alexandr Korol]

Even our planet Earth is built according to it. So it’s all the Philosopher’s Stone — it’s a code. This very code is how God-born people are created, how unique creativity and art from God are made. It’s all this kind of code. This code, of course, must be deciphered in the future — truly, as it actually is. What is this code? Right now, it’s more like a shot in the dark, a guess — and there have been many such guesses over the last hundred years by various scientists and science fiction writers. But in my novel “Alternative History”, I demonstrate this code right in the book — both in the text, through words, and in the structure of the book itself — it’s encoded that way. And all the information I decode — I decode all these scattered puzzle pieces across the world, all the lost history, mythology — and it’s exactly that which I use to build and assemble this matrix. And what’s most curious is that in the second volume of “Alternative History”, I even physically construct this matrix and show what it looks like, and that it was even encrypted by those who control everything, hidden in Christian icons. And as of today, since I’m already working on the fifth, sixth, and seventh books, I’ll say this: Hinduism is the religion that has gone through all the cycles, even reaching the point of polytheism, arriving at an explanation and understanding of who these gods, avatars, spirits, and cycles are — that there are different yugas, which are like cycles: morning, day, evening, night. There are the same kinds of cycles for our eras, the ages we live in. There are also times of darkness, times of dawn, and the Golden Age — all of that. And within Hinduism, there are also yantras. Each yantra is linked to a particular deity, and essentially, it’s all sacred geometry — lines drawn geometrically. It’s all ancient, and what’s reached us is what remains of that lost ancient knowledge. People keep copying these images so they survive to our time, but no one even knows how they’re formed — everyone draws the yantras as flat images. In reality, each one is a three-dimensional geometric figure seen from different angles. And that geometric figure, you see, is encrypted even in Christian icons, where parts and details are depicted on the saints. For example, the Mother of God is always shown holding a veil, which represents an arc downward, an arc upward, like a rainbow or the firmament; seated on it is always the Son of God, the future God. There’s also the mandorla, within which either Jesus or the Mother of God is shown in that opening.