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[Alexandr Korol]

You also see many other geometric figures, and it’s all that same matrix I decipher in the second volume. And here, it’s very important to emphasize the word “decipher,” because I believe the Philosopher’s Stone, in the future, may very well be both a code and the same physical geometric structure made from geometric figures, which I am currently assembling and continue to work on to this day. And all these geometric figures must somehow be connected to one another. Altogether, they form a complex matrix that includes all the elements — fire, water, earth, air — all these spirits, meaning Gods, which are all intelligences, minds, systems of simulation. And they are all part of one large simulation. All of it together is the system — meaning God. That’s what it is. So the Philosopher’s Stone is both knowledge, in the literal sense, and a code on the level of sensations, and also a physical code, an actual geometric matrix — this is all the Philosopher’s Stone. It’s like a computer, imagine, in which everything can exist, with no boundaries of time and space. You set those parameters yourself. The Philosopher’s Stone is the explanation of the structure of the entire world. And this must be understood as... well, it’s just so interesting how the whole system is built, and I explain this further in my upcoming volumes of “Alternative History” — that it may seem like you need to create some device, for example, to do something with it, to influence people or something else. But you yourself are part of the system, and you live inside the simulation, and if I finish loading this code... It’s still not fully loaded, there are a few percentages left. And once I fully load them, I must then simply realize this code within myself, the full structure of this world. And that’s it. Even when I physically assemble this matrix out of sticks, when I draw it — it’s all just to realize the code, to load it into myself. I need to fully load it within me, it’s not fully there yet. Imagine a string of lights that’s already unrolled, but a couple of bulbs aren’t lit, and I’m looking for them. And to put it in even more sacred language — I still need to retrieve three golden apples.

Question: At the beginning of the first volume, Valentina motivated you to go visit a certain woman who was waiting for some kind of chosen one. What was the purpose of that meeting with the woman Tamara? What did that meeting give you? What invisible keys did you receive from her? And why did she react to you the way she did, first saying: “What the hell are you talking about?” — as if she didn’t see any chosen one in you, but only after talking to you did she change her stance?