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[Alexandr Korol]

completely different things. I’m not even close to them. They are all great, famous, and rich, and I’m just an ordinary guy with books like this. But they told me that I’m a preacher with books, that these books are for humanity and for the world. And I even had visions, even when I was a child, that the whole world reads all my books, the whole world understood my information, recognized it, and those who didn’t recognize it – those people won’t exist in the future. I even saw that. But when that will happen, I don’t know. And they don’t tell me who I am, how, what, or why. If we’re talking within the framework of the first volume, then yes, like some “chosen one” in quotation marks, but no one talks about me, and no one knows that something is happening to me, that they seem to be hiding me, but at the same time, not hiding me, that someone is standing behind me, but there seems to be no one. And that I have to write books, keep a diary, and I write books, keep a diary. Am I doing this for people or for myself? Maybe it’s all for me, so that I learn something and become someone. Or maybe these books are for humanity, by which people will live on. I don’t know. To be honest, I didn’t know this in the first volume of “Alternative History.” Later, of course, I have many guesses, but that’s later.

Question: The meeting on September 12, 2011, with the elderly man. Some expressions are unclear, for example, about the gates of hell and the comparison with the Russian song about Dunya. Can this dialogue from that evening be clarified for ordinary people?

Well, that song ‘Dunya sits at the gates, wide open mouth, and no one can tell where Dunya is, and where the mouth is.’ The meaning here is actually a concept. You see, Petersburg can be a city when viewed from one angle, and then – bam – it turns out to be the Third Temple that everyone is searching for. Or suddenly – bam – it turns out to be Shambhala, which everyone is looking for. And it seems like the city already exists and has been built for a long time, but how do you name it? Earlier, in the sixth volume, I gave the example about the flute. You see, a wooden stick can seem like just a stick to an ordinary person, and they use it all their life to prop open a door. But if you tell them it’s a flute and that these holes are there for a reason, that you can blow into it and play a melody, then the stick, see, turns into a flute. Though it was always a flute,