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[Alexandr Korol]

everything to themselves, meaning they were made by the same Egyptians, but there were no gods yet. And then, later, everything was made for them. And then, when these gods left Egypt, everyone else continued to use everything and adapted it to themselves, but without the gods — this is also an interesting point. The same applies to St. Petersburg. St. Petersburg was built by the tsars, and perhaps even the gods didn’t use this St. Petersburg as their divine complex. They will come, use it, then leave. And in this city, both before and after the gods, people lived, and still live, just like in any other city. But for the gods, it is a whole center, a mechanism for governance, and all other such unique complexes. That’s the connection. There are eras, a specific era when the gods rule the world, during the golden age, and they rule within these complexes. Then they leave, and everything is destroyed, starting all over again. This has always been the case, and always will be. So what’s the difference, whether we call it St. Petersburg or rename it? And besides Egypt, you understand, there were such central points for the gods all over the world: in China, in Mexico. But back then, it wasn’t even called Mexico, you know? And these Maya pyramids – this was a whole period when all of this was built, then the gods came there, and then they left, and people continued to live there. We just see it as ruins, but they still live there. There’s just a division between these multiverses. And that’s how humanity lives. I explain all of this in great detail in my books, especially in the third volume.

Question: In the first volume, there was a moment when in Los Angeles, your acquaintance asked you to demonstrate how paradoxes work. You indicated the direction to go and arrived at a shop where there was King Tut’s ring. How does this work? How did you know that you needed to go there? Was it intuition, or did the Spirit enter you and direct your hand, or was it something else?

Yes, it was like this: I was in Los Angeles, it was 2019, if I’m not mistaken. And then a friend and reader from Los Angeles said to me:

– Alexandr, in your book ‘Paradox,’ you often described how unusual things happen in your life, how you walk down the street, someone talks to you, or there are signs, and all this magical stuff, like in the movie ‘The Highway 60’ or ‘Big Fish.’ How does that work? Can you show me this?