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[Alexandr Korol]

But if the light is burning within a person, that light will always show them the way, and they can always see, thanks to the light, what’s dark and what’s light, what’s good and what’s bad. You see, when a person prays, meditates, or lives and interacts with good, simple-hearted people, if such a person is offered to commit a crime, they immediately feel with their heart that it’s wrong, that it’s terrible. It’s as if their conscience reacts right away and protects them. But why do you have such a sharp reaction when you immediately understand that what’s being offered to you is wrong? Because you pray, meditate, interact with simple- hearted people, and listen to classical music. But if, for example, you’ve been drinking, sitting with bad company, and haven’t read a book in a while, only watching funny short videos on social media, then when you’re offered to commit a crime, you might think, “Why not?” But you’re absolutely, 100% sure that what’s being offered is not wrong. And why do you think it’s not wrong? Because the light has gone out in you, and you no longer understand what’s good and what’s bad. And then you commit the bad act and regret it afterward. That’s how it can be expressed. But again, I’ve described the matrix from different angles. There’s another version as well. I even speculated that maybe it’s not so great when your matrix is large; maybe it’s actually better when it’s small. That was just one of the versions, one of the theories I had at the time. Why? Well, I thought that if the matrix is large, the labyrinth is big, and the light moves through it for a long time. But if the matrix is small, in the shape of a triangle, it’s faster. That was my reasoning at the time in the second volume. There’s another version too, when I was reflecting... Just today, I had a dream on this topic. I’m still figuring out the matrix. The dream was about the body, and now I’m deciphering the matrix. I need to fit cubes into cubes to create a star, and this is already after the fifth volume. I’m working on the books. And so, a person has these arms and legs. And it’s no coincidence that these arms and legs are divided into three parts. I should, if I were to depict myself with my arms and legs on the side of a cube, place those connections — where the foot connects to the leg, the leg to the knee, and the knee to the thigh — at those points. These connections are like points, and they’re needed to lift other cubes onto these points. You see, the matrix is everywhere. I also find it interesting how I now see the matrix in the face. I look at a person, well, the matrix is obvious when it comes to the eyes, nose, and mouth — that’s clear. But how about the ears? One point, second point,