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[Alexandr Korol]

from the most advanced to the most regressive. But even if we take the most modern country on a certain continent, its cities will also be divided — from the most modern to the most backward. And even the most advanced city can be divided into neighborhoods, from the most modern to the most outdated. This is inevitable — it just needs to be acknowledged, observed, and understood. That’s why in New York you have the Bronx, but also Brooklyn and Manhattan. That division is already happening. Manhattan — okay, then a little lower is Brooklyn, then a little lower is Queens, then further down is the Bronx. Yet all of that is still New York. And the same applies to schools. You can attend the best school or university in the world, but even there, there will be a range — from the best teachers to the worst. And your fellow students will also range from the most advanced to the most backward, or from the most modern to the most outdated. This kind of division still happens — it’s inevitable. And I even gave an example in the book that when you create books — or music, if you’re a musician — you’re still creating those tracks in different stages of time. Even within one album, there will be tracks that are better or worse. Or tracks that are more aligned with “yes,” or more with “no.” And albums too. And by knowing this structure, you can already predict, calculate which book of yours will be successful and which will be a flop. Though even a “flop” is still a good book — it’s just placed in another, let’s say, time dimension. Let’s put it this way: after a certain cycle, the Golden Age always comes. And during this Golden Age, if you make another book, it’ll be a bestseller. And then it starts to decline again. Because then comes autumn, winter. Then again comes morning, day. But there’s still a difference. So, when you go through, for example, making music albums — first, second, third, fourth — the first three are like sky, earth, underworld, your three cycles of experience. The fourth world — that’s when you’re fully in the Spirit, completely in the cosmos, a reset. And then you create the next album, and again it starts — sky, earth, underworld — but it’s already of the second level. So it’s a repetition, but with better quality, and again it’s sky, earth, underworld. Three moods, three different albums. Then you move up again, go through it again. At some point, not always, you catch the fourth world in the Spirit. Then you weigh it and ask yourself: in which state did I work best, when did I create my best album? And again — the question arises, best for whom? For you or for society? That’s also something to think about. It’s very interesting.