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[Alexandr Korol]

It also has various levels and sublevels, in the sense that both physically — what death literally is — and metaphorically. In my fifth volume, death was described as if it applies to all worlds: how it happens in the world of the sky, the earth, and the underworld, and how death occurs within death, so to speak. So, death — the world of death — is also divided into different levels, and that’s why I literally describe what it is, what happens to a person after they die, and where they end up. But I also describe the spiritual state of a person who is in the world of death, and that this is exactly that languid state, the “nameless” state, the “mindless” state, where you feel like a ghost in a vacuum, and as if you’re no longer in the three worlds where people reside — in those main worlds, meaning the sky, the earth, and the underworld — but instead as if you’re in some kind of “corridor,” as if you don’t exist. Also, back when I was working on the fifth volume, the Mystic-Old-Man and Big Alexander emphasized that this Spirit of death contains all information, that it is a library. And that’s exactly what it is — that’s where I received all my information from. But of course, I also always considered it to be spirituality, because it is also an exit from the influence of the three worlds, when you find yourself in this fourth world — death. Then, once I decode all of this, that’s where my fifth volume ends.
The next path, meaning the sixth and seventh volumes, is the analysis of all the previous volumes, while the eighth volume is the continuation — what comes after death. As it turns out, after death, after the fourth world, the next is the Sun, Helios, the Sun God, which is already something fifth. And now, as I begin to go through all my archives, all my notes, all my screenshots where I recorded everything, I decided to start grouping it all. This is exactly the transition from the theme of death to the theme of the Sun God. So I begin to analyze and delve into the question: alright, if there are these four main forces, four Spirits, four worlds, four groups — sky, earth, underworld, and death — and all of this points to something fifth, like the fifth element, then I start assigning these to the elements and, accordingly, to geometric figures. Let me explain.
After all, what have I been doing my whole life since childhood? I’ve been trying to figure out what this group of four really is, because it appears everywhere. We encounter it as “morning, day, evening, night,” we encounter it as “spring, summer, autumn, winter,” we see it in the four Gospels,