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[Alexandr Korol]

And then they continue unfolding in such a way that the dodecahedron ends up forming around the outer part of the cube, and from it, tetrahedrons extend outward from the corners, icosahedrons go from the sides to the dodecahedron, then all these icosahedrons together form another large icosahedron, and from there, naturally, another octahedron can be formed — a diamond shape — then another cube, and so on. And this must reach such a level of perfection that it becomes this infinite formula of how all these geometric figures are formed, how one generates many small ones, and how many small ones create the next large one, and so on. As they say — future, past, present — as I previously assumed, it’s all the same matrix, but its scale just shifts inward or outward, like a change in scale. From this, the light moves differently, and with it — distance, volume. From this follows the speed, the rhythm of the second or third world — it differs. And we live within these rhythms, these speeds. These speeds can be slowed down or accelerated by moving — so to speak — into the future or into the past, or by returning to the present. I’m still working on this — for now, I haven’t started to glow, and the matrix hasn’t lifted off either, so... that means there’s still something I haven’t fully accounted for. But I’m still recording my path — where I’ve stopped as of today, January 30, 9 a.m. Moscow time.