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[Alexandr Korol]

And so it turns out that the main cube — and then all the ones smeared around it — those smeared variations, there are eight of them so far, maybe more. But for now, I ended up with eight. The ninth is at the center, the main one. And then it all starts twisting around that central one at different angles, as if the cube is in motion — but this state of motion is physically present. It’s the trajectory of the body’s movement. And this body — the cube — is already represented physically in all timelines; these are the different multiverses. Or rather, not even timelines, but dimensions — that’s more accurate. And this is how it’s depicted. These are all its variations. It’s all one and the same, but also all of its versions. That’s how I see the world — and it’s truly fascinating. And also, the fact that the same kind of mini-cosmos forms inside and outside of the main one — that explains a lot too, because these are essentially vibrations, or whatever you might call them, these are already different universes, like different Solar Systems. There is our Solar System, which I’m building as the main one. And within it there’s an internal version — a direct copy of the same thing — and there’s one outside as well. And it continues infinitely. The difference between them lies in the scale of one matrix with all its geometric shapes. My main matrix, let’s say, is the one that represents the scale we currently live in — that’s our current time. But there’s a smaller version inside it and a larger one outside — that represents different times: the future and the past. These are other worlds, this is what people mean when they say “God is out there.” And in a way, they’re right, because for us it’s out of reach. We exist within this scale, but He is already in that larger scale. Yet the structure of everything is exactly the same — only the scale changes, and with it, the speed of light. That’s all it is. As I’ve said before, the rhythm changes with scale. The matrix remains exactly the same, but the greater the distance, the differently light moves through the labyrinth. That’s the simplest way I can explain it — like if I had to explain it to schoolchildren — just to make it clear why.
I called Big Alexander yesterday, telling him all of this. He said:

— Yes, keep looking at it, turning it, contemplating it — you need to see it, you need to realize even more deeply how everything is truly structured.

Then he said that this matrix — or more precisely... I said: