again. So, is it that the people who love beautiful images, sacred geometry, and esotericism have deceived themselves and led themselves astray with all these Platonic solid diagrams on the internet, or have I actually miscalculated something in what I am working on now in the fifth volume? After all, I am being guided by the Spirit. But you see, it turns out that... Or maybe, you know, again, if this is geometry, maybe it is true that from these three geometric figures – heaven, earth, and the underworld – a larger geometric figure is formed, and that is death, as if one exists within the other, you see? And this is the whole structure, which is the Sun. That is, in general, the philosopher’s stone is the Sun, this is that fifth element, which must be composed of these four. I am going through these paths. And look how interesting it is, in what chronological order I am passing through these paths. That now I must... That is exactly what is happening in the fifth volume – I started everything in the fifth volume with death, and yet all of it is immediately connected with the calendar, with the seasons, and with the manifestation of the Sun. So, it turns out that once I fully understand death, I will figure out what the Sun truly is and I will find it. That is, in the end, I must become not the fourth god, but the fifth – more precisely, the one who has comprehended these four gods.
And further on with the fifth volume. There, I am reflecting on the fact that there is the sky – it is the day, the earth – it is spring, autumn. Found a mistake. Ah, the earth is autumn. Spring is autumn, the earth... Oh, I mixed up the words there. Well, I have these reflections, so it’s better to rewrite them from scratch, so as not to get confused when reading them. So, I start thinking this way – I understand that this must align with the matrix. That is, when we theorize, we reason based on cycles and seasons: morning, day, evening, night, or, for example, spring, summer, autumn, winter. And we can fit the four elements into this, we can fit the four gods, the four worlds into this, but all of this must also align precisely with the matrix. And if we do everything according to the matrix, then a bunch of inconsistencies arise – and that’s good because I am going through this path. That is, everything will eventually close in on itself – how should I put it correctly? And so I was thinking, when I was drawing the cross, the symbol of the cross, the intersection, I reasoned that the upper stick represents the sky, the horizontal stick to the left and right represents the earth, and the stick beneath the earth represents the underworld.