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[Alexandr Korol]

they are the eyes. It is all there, right in front of me. Then I recall that the description of this divine chariot is not only found in Ezekiel. I remember that there are also references in the Revelation of John the Theologian, Apocalypse, and I recall that there is a mention of three gates on each side. And then it suddenly clicks — I realize that when I look at the cube from the correct angle, I can only see three of its sides: the top, like a cap, and two side faces, left and right. That’s three gates. But why three gates? Well, because if I complete the necessary cross-sections within the structure—because this cube should actually be made up of smaller cubes — the resulting image literally resembles gates. And I think to myself: Wow! Everything aligns perfectly, once again. And for you to understand—this was all deciphered in one single day. Of course, I continued refining and sketching things over time, but all of these revelations came to me in one sitting. I was simply there, and the system was working through me, solving what I had been trying to unravel my entire life. It just flowed through me, and the system revealed it all. So, I find these references to the gates in Revelation, chapter 21. And then, I become particularly intrigued by something else: the three-faced icons. These are quite common; they depict the symbol of the Trinity. One such icon is by the artist Gregorio Vásquez de Arce y Ceballos (1685), titled Symbol of the Trinity. In this painting, a figure — call it the Son of God or God — is depicted with three faces. He has a triangular halo, and, most interestingly, his hands are positioned in a way that suggests he is holding spheres. There is one sphere on the left, one sphere on the right, and one below, at his feet, forming an inverted triangle. This triangular symbol, often found in many places, even in Wikipedia, known as the Symbol of the Trinity, features an inverted triangle where the three corners converge into a fourth central point. This is precisely the symbol I saw when I deciphered the formula at the end of the first volume, this matrix. I saw this triangle, I saw the lines within it, and as I looked into its center, I realized that this was the foundation of the time machine, of the entire world, of everything. And then I saw that the figure depicted on the icons, holding — or rather, positioned before—this inverted triangle, was actually depicted within the matrix I had deciphered. And at that moment, the Spirit, the voice, the system — whatever it was — told me that I now had to reexamine every single icon that exists and pay close attention to how each icon contains, in some form, a part or a side of the matrix I had uncovered.