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[Alexandr Korol]

months. Consequently, this other season appears, like another side. But it’s all the same thing. Simply because of the movement of the sun, everything changes. Well, the planets, the Sun — in general, I’d say everything depends on celestial bodies, on the movement of celestial bodies. You see, a deity can be depicted with eight arms. Or a deity can be depicted with four arms, right? Like in Hinduism. Everyone interprets all of this differently. A deity might be shown with seven heads or on seven horses, or somewhere else on four horses. And why is that? Why? And the most interesting part is that someone who knows the essence of this matrix understands that all of these versions are correct. But the question is — why? One must grasp that. And suppose there’s the chariot of Helios, the Sun God, with four horses in the harness — four seasons. And he is the sun that controls them. And then there is Surya in Hinduism, a Sun God. And he is depicted — this deity — on seven horses. So how is it that both are true? Actually, it’s the same thing, just with a different perspective, where in one version it’s like stages, and the Hindu deity with seven horses implies eight worlds — he being the eighth. In the first version, it implies five — four and the fifth is the sun. And here it’s seven and the eighth. So how can I explain that further now? Well, I can explain it like this: on the other side of the light, there are four worlds — that’s exactly the chariot with four horses of the Sun God. And then there is, for example, a Hindu deity, also a Sun God, but depicted with seven horses. Why? Because it shows the world... How should I put it — why are there eight? Seven and the eighth. It’s like four on one side of the light and four on the other, and that’s how the matrix is, let’s say in quotation marks, “unfolded.” So, if we tie all this formulation to how the matrix unfolds and folds back — that’s one path. And now to align with that structure the numbers, the colors, the gemstones as well — that’s a second path, or rather not the second, there’s no sequence here, it’s just a parallel, completely different path, a different type of work. In the first volume, I didn’t work on identifying which gemstone is the first, which is the second, which is the third. It’s certainly curious, but what’s the point of knowing that? Let’s put it this way: what would be the point of me asking such a question back then — same for the readers — if neither I nor they had fully realized the structure of this matrix at that point in time? You need to fully grasp it, to understand why there are three months in a season and how many there really are. Maybe it’s not accidental at all. I would actually say that,