But just imagine how easy it is for you now to decipher all the ancient alchemical engravings of the 15th, 16th, and 17th centuries — open any of them now, and you’ll be shocked. You’ll see this matrix everywhere.
What I also want to add to this — regarding the decoding of the Philosopher’s Stone and in general the decoding of this thing I’m currently working on. Last time, I talked about how, using the matrix I deciphered in Volume Two, I’ve been trying to figure out where to properly place the icosahedron and the dodecahedron. That is, the icosahedron is Baphomet, the Spirit of Justice, the element of water, which I found and grasped in Volume Four. The dodecahedron is the element I discovered in Volume Five — it’s not the Holy Spirit, but generally speaking, it represents spirituality, Spirit, spirits, the world of the dead, the otherworld — that is precisely the dodecahedron. And actually, there are many hints about it being the unique fifth element, but you see, in my own “systemness” — to use the Mystic-Old-Man’s language — in my own “systemness,” I consider it the fourth element, and fire the fifth. Why? Because I drew an analogy with the cycle of the day: morning, day, evening, night — with the cycles of time within a single day. And also with the seasonal cycles we live in — the seasons of the year. And this is a very simple way for people to understand, and you see, the responsibility has been placed on me to reveal all the hidden mysteries of the universe to people in a very simple and accessible language, which is exactly what I’m doing — and it seems I’m managing to do it. And I believe that by drawing an analogy between spring, summer, winter, autumn, and helping people understand which element each one represents and even what it looks like — as a matrix, as a geometric shape — I think that’s wonderful. And we’ve determined that winter, that is, night, is the dodecahedron, that is, death. Alright, moving on. And then I started searching for the fifth element. And as it turned out, the fifth element is precisely the Sun and fire. Then I simply found its opposite, which is why it’s almost identical and there’s no need to make anything overly complex from it — that is the Moon. And that too is, in a way, a triangle, an inverted tetrahedron pointing downward. And you see, in Volume Eight I find fire — a tetrahedron pointing upward — and the Moon — a tetrahedron pointing downward. And then I find this star, Mercury — that is, when they are merged together, meaning the stellated