Page 448

[Alexandr Korol]

summer in a boat on the lake. I would just lie down in the boat, look up
at the sky like that, and listen to the music of Max Richter, the soundtracks of
that series. I couldn’t think like other people or draw conclusions based on
panic about what had happened or what awaited us. But the funniest thing is
that those who were nearby asked me, and I told everyone that this wasn’t it.
Well, not it. Everyone was saying: “Is this what you sensed since childhood,
that something would happen?” I said: “No, this isn’t it, this is something
else. I don’t know what it is, but it’s somehow not connected to that at all.
This is just not it.”
But then other thoughts came, although again, it was just my acquaintances
nudging me toward such ideas. We used to joke and say: “What if all the
people in the cities have already died, and we don’t know it? Here we are,
somewhere in the forest, on a lake, building a farm. And we’ll just stay here,
never going beyond the fences, not knowing what happened in the world.”
What if the electricity gets cut off? What if communication with the outside
world suddenly disappears? Television, radio, everything — what if the internet
is shut down? Well, it was that kind of joke. But it’s interesting that while all
this was happening, I was listening to that music as if it truly conveyed some
kind of event, as if it conveyed very deep experiences of such a serious scale.
On some kind of, you know, divine level — which is exactly what is emphasized
in the series itself.
And here is what is curious — why this series right now? Imagine how
interesting this is. Just pay attention yourself. Yes, I am the creator in my
book, but I am led by the system — by nature itself. I am a part of it, but I am
like its mouthpiece, its hands and feet; I surrender my will to this system,
and it steers. Notice the sequence: first, it highlights the number 144 for me,
which, of course, is associated with the 144,000 chosen people mentioned
in the Revelation of John the Divine. It speaks of ascension and all that.
But then — look at the progression — in the tenth volume, the system gives
me, and consequently gives you, information about illusions: that they must
not be underestimated, that illusions are real. It shows that the world
is structured such that there is a world of light illusions, a world of dark
illusions, and a world without illusions — which is that middle ground, the
material world. These three worlds exist, and illusions must be accounted